The best 10 Performance Makeup Faults and How to Fix Them


Time and time again, being a former professional NYC professional dancer, I witnessed attractively generally poorly put on tons of makeup foundation before performances. In my decade of dancing, I saw just how ugly; bad backstage makeup skills can get! Cosmetics can help us create the best possible model of ourselves. As a cosmetics artist, I learned how to emphasize our best aspects together with makeup.

This is my set of Top 10 Performance Makeup Blunders in no particular buy.

1) MISTAKE: Lack of Eyebrows! WHY? When there are simply no eyebrows, we lose the particular emotional expression of the deal.

FIX IT: An excellent eyebrow pencil uses a hard-pressed mineral eye shadow powder snow to create a much more natural look. Use a colour that matches or is darker than your hair shade. To accentuate and frame the particular eyes use an angled eyeliner makeup brush to fill out the natural shape of the particular eyebrows.

2) MISTAKE: The lower lash line has a black pencil eyeliner on the medial side. THE REASON? This is a great makeup solution for fashion shows, print advertisements, TV, and in person, not for performances on the step. During a stage performance, it creates eyes that look smaller.

REMEDY A REPAIR: A WHITE Highlighter Notepad on the outside corner of the view and the inside lower sexy lash line will make eyes search more prominent and brighter.

3) MISTAKE: Applying a black boat under the eye and in for the far inner corner of the eye. WHY? It gives a person’s vision a round appearance; you desire more of an almond condition. It can sometimes seem to be “cross-eyed” to the ballerina.

FIX IT: To achieve a more attractive shape, use a darker dark brown eye shadow with an eyeliner brush as a liner beneath the eye. Start under the scholar and brush out, pursuing the natural curve of attention.
Do NOT join the upper eyelash liner and the lower eyelash liner. Not connecting these lines will give you the false impression that the whites of the your-eyes are enormous.

4) MISTAKE: The darkest eye shadow contours colour too close to the nose and too high around the crease of the eye (up to the eyebrows). WHY? It will take all of the emotion out of view. It looks like giant black colour holes. For the same reason, the “Smokey-eyed look” often does NOT work with stage performances.

FIX IT: Ensure that the dark contour colouring stops before it approaches the eyebrows. Apply the shadow with an eye of a small and angled brush. When adding darker extrémité colour to create an area of the eye, focus on the outer half of the eye and do not bring the black colour too far in on the nose.

5) MISTAKE: Not any foundation applied for stage actions. WHY? Wearing makeup without foundation won’t stand up once you get sweaty. It will seem blotchy and not touch-up properly.

FIX IT: Creating a clean, matte surface for the makeup demands foundation. When choosing a basis, use a lightweight, mineral necessary oil free/non-comedogenic, water-resistant foundation. This will likely keep makeup looking easy and clean all day long!

6) MISTAKE: Wearing false eyelashes that are either too big or perhaps too thick. WHY? Given that stage lighting come down from your top, large lashes web form a shadow under the sight. This can make your eyes seem closed, sleepy, or large.

FIX IT: If the lashes undoubtedly are a demi/half lash, they probably need to be trimmed to fit them; otherwise, trim them to healthy. Always trim from the outside borders. False lashes that are extended on the outer edge to get shorter as they go on the inner eye are the best decision. Avoid oversized lashes and choose ones that give attention to the outer third of the vision.

7) MISTAKE: Poor facial foundation colour choices used for step makeup. WHY? Just because we see a makeup colour in the news does not mean it will work for any stage performance. On TV, while makeup is done, colours can easily match outfits and be more elegant and “fashionable” in style. The period’s primary purpose is to ensure the cosmetic expression and features are seen and that the dancer looks stunning under severe stage lighting effects.

FIX IT: Wear neutral hues to bring out the innate attractiveness in the dancer’s face. Furthermore, there are neutral rose-toned lipsticks that look lovely. Vivid red isn’t better! When bright red glaring lipstick has the audience diverted from the performance, it does not necessarily serve its purpose.

8) MISTAKE: A sharp line to get blush or too much impression. WHY? Too much blush or a sharp line can make performing artists look harsh or old.

REMEDY A REPAIR: Neutral rose-toned as well as pink/peach-toned colours. The opposite benefit is that these hues will work on all epidermis tones – lightest to darkest. To create a soft series, place your brush on the hairline and remember to brush forward, and blend upward across the apples of the cheeks. You should not allow blush to be able to dip below the lip series.

9) MISTAKE: Using an excessive amount of glitter. WHY? When you use glitter glue on every part of that person, body, and costume, it is pretty distracting to the audience and the judges.

FIX IT: Pick one element that you will use glitter with. Use glitter in your locks, or use a shimmering light to highlight your cheekbones, as well as try a red glitter top. The important part is to choose part of the body, not every element, for your “glitter-fitti!

10) MISTAKE: Need more makeup. THE REASON? Because of the strength of step lights and the distance from the performer to the audience, facial features often eliminate their dimension. Facial attributes “flatten” out when you don’t have enough makeup.

MAKE IT BETTER: Apply makeup so it will be dark enough to see your current features without strain from your 8th-10th row. Stage lighting effects make it necessary to use makeup if you have a natural seem on stage. Again, as you saw the look on a ballerina on TV, does not mean it will work with the stage.

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